One of the most influential writers in screen history, W. R. Burnett
has contributed countless classic moments in cinema.
Born in Springfield, Ohio, in 1899. By the time he left in 1927, he'd
written over a hundred short stories and five novels, all unpublished.
At 28, he left a civil service job he'd held for years and moved to
Chicago where he found a job as a night-clerk in a seedy hotel. He
found himself associating with a cornucopia of characters straight from
the mean streets of Chicago -- prize-fighters, hoodlums, hustlers, and
hobos. They inspired Little Caesar (novel 1929, film 1931) -- its
overnight success landed him a job as a Hollywood screenwriter. Der kleine Cäsar (1931)
became a classic movie, produced by First National Pictures (Warners)
and starring then unknown Edward G. Robinson. The Al Capone theme was one he
returned to in 1932 with Scarface (1932).
Burnett kept busy, producing a novel or more a year and turning most
into screenplays (some as many as three times). Thematically Burnett
was similar to Hammett and James M. Cain but his contrasting of the
corruption and corrosion of the city with the better life his
characters yearned for, represented by the paradise of the pastoral,
was fresh and original. He portrayed characters who have, for one
reason or another, fallen into a life of crime. Once sucked into this
life they've been unable to climb out. They get one last shot at
salvation but the oppressive system closes in and denies redemption.
Burnett's characters exist in world of twilight morality -- virtue can
come from gangsters and criminals, malice from guardians and
protectors. Above all, all of his characters were human -- this could
be their undoing. In Entscheidung in der Sierra (1941), Humphrey Bogart's Roy Earle plays a hard-bitten
criminal who rejects his life of crime to help a crippled girl. In
Asphalt-Dschungel (1950), the most perfectly masterminded plot falls apart as each
character reveals a weakness. Bruce Crowther wrote that Burnett's screenplays,
"while still ostensibly in the cops versus gangsters mold, blur the
conventional boundaries of the day." In The Beast of the City (1932), the police take the
law into their own hands when the criminals walk free on a legal
loophole presaging Dirty Harry (1971) by almost 40 years.
Burnett worked with many of the greats in acting and directing -- to
name a few and certainly not all: John Huston, John Ford, Howard Hawks, Nicholas Ray
and Michael Cimino, Humphrey Bogart, Ida Lupino, Paul Muni, Frank Sinatra, Marilyn Monroe, Steve McQueen, and
Clint Eastwood. He was Oscar nominated for his scripts for
Wake Island (1942), and Gesprengte Ketten (1963), in addition to his film work he wrote scripts for
television and radio. In later years with his vision declining, he
stopped writing and turned to promoting his earlier work. In his
career, he achieved huge popularity in Europe where his anti-hero
ideology was enthusiastically embraced. He died in 1982 aged
82.
