John Brabourne

John Brabourne
  • Date of birth: 1924
  • The date of death: 2005
  • Profession: Producer, Production_manager, Miscellaneous
A director of Thames Television, Euston Films and Thorn EMI, John Brabourne's entrepreneurial skills were crucial to creating some major successes in the British cinema. In the sixties he produced two celebrated Shakespeare adaptations, the film of Othello (1965) starring Laurence Olivier and Maggie Smith and Franco Zeffirelli's 1968 Romeo und Julia (1968). He also produced a film version of August Strindberg's The Dance of Death (1969), starring Olivier.

John Ulick Knatchbull, the seventh Baron Brabourne, was born in 1924 and educated at Eton and Brasenose College, Oxford. He succeeded the title when his brother, Norton, was killed in action in 1943. During the war John Brabourne served as an officer in the Coldstream Guards in France. He married Patricia Mountbatten, daughter of Lord Louis Mountbatten, in 1946.

Brabourne began his film career as a production manager on such movies as Panzerschiff Graf Spee (1956) (1956) and he later co-produced the wartime drama Die letzte Fahrt der Bismarck (1960) with Richard Goodwin.

Three years later he and Goodwin set up a consortium to introduce Pay-TV, a cable service whose subscribers would buy films, opera and the arts on meter. The scheme eventually failed and Brabourne and his partners decided to wind up the operation with £1 million losses. "We were years ahead of our time," he said.

Brabourne went on to produce a series of box office hits including Up the Junction (1968), Trixis Wunderland (1971), Mord im Orient-Express (1974) starring Albert Finney, Tod auf dem Nil (1978) with Peter Ustinov, Mord im Spiegel (1980) with Elizabeth Taylor, Das Böse unter der Sonne (1982) (1982) again with Ustinov, and Klein Dorrit (1987) starring Alec Guinness.

He always described himself as a "creative producer". "I've always been very involved with the directors," he said. "I set out to become a director myself but changed my mind. The things that interested me were the story, which is number one for me, the script, which is certainly number two, and the third really important factor is the editing. I found that, although I like to work with actors, I don't really have a feeling for directing."

He was also a governor of the British Film Institute and was appointed a CBE in 1983 for his services to the film industry.

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